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How the time just flies by! There I was preparing a catch up blog post about my work as Artist-in-Residence at Winterbourne House and Gardens and then all of a sudden the weather has changed, the gardens developed and what I had to show you looks distinctly wintery!
This week has been glorious, unlike the preceeding two which rained on and off so much I couldn’t chance getting out to draw or paint without a small soaking. Consequently the gardens are thriving and growing. The Anthemis border looks absolutely stunning at the moment and is top of my list to work on given long enough to do so.
I spent a day drawing arounds the grounds on Monday (and looking at old maps in the archives) getting some visual reference for some print work I’m doing and also some embroidery.
Prior to that April brought a beautiful Flowering Japonica which grew all white and blossomy in a dark corner of the garden providing lots of contrast.
I’m spinning a lot of plates atm on a lot of projects and the only way I can move forward is to do a little on all fronts and wait for the bucket to fill! I’m working in bursts when time allows but importantly, enjoying all the variety. This week in preparation of teaching my MAC Birmingham students how to print in repeat, I drew on Mondays Foxglove studies and printed a nodding row of these lovely flowers.
And if you’re interested in stitching and embroidery, this lovely workshop at Winterbourne is on sale now and you can read about it here – it’d be lovely to meet you in real life 🙂
Just popping in with a few catch-up pieces from my residency at Winterbourne House and Garden.
It’s been hard to catch a good time to be out painting because of the sudden changes in weather and temperature. One solution has been to work in miniature, although these paintings still take quite a time.
Everything is growing very fast and I’m trying my best to catch a little bit of it all as there’s no way I can do all of it justice. The Auriculas have long been a favourite of mine so it was nice to capture them.
This little guy had to be caught on canvas having visited me whilst sketching one day and had a good long proper chat and even hopped around the side of me as if to see what I was doing.
Our next destination was Vietnam and we arrived on the Friday night of Chinese New Year to find it heaving with people and traffic – quite the cultural baptism.
The traffic in Hanoi is unbelievable and it took us a while to perfect our technique of crossing the road – step out slowly not daring to look and keep going till you reach the other side – then breathe! Motorists scoot round you perfectly – the worst thing you can do is hesitate or stop.
It took us a while to realise that the Kumquat trees and blossom trees we were seeing being driven around are in fact the equivalent of our Christmas trees.
Hanoi was very frenetic and busy (a lot to do with CNY) and we were glad of a trip away to the beautiful and peaceful Halong Bay.
Just as picturesque in real life as it is in pictures.
We visited one of the last fishing villages which the government are trying to phase out as the inhabitants (particularly the young) don’t get access to good schooling, health treatments and opportunities. Tourism is a funny thing sometimes when it can help and hinder simultaneously.
We also travelled down to Hoi An a lovely little town of lights and water where the fireworks went off for New Year celebrations and a street party.
The shopping was great in Hanoi – lots of textiles at very cheap prices – and a lot of it modern and not well made but I did happen upon a bag of scraps which turns out to be this exciting collection of Hmong clothing embroidered scraps. Lots of inspiration in these alone.
I loved Vietnam and it’s people and would love to go back again sometime.
I am absolutely delighted to share the news with you that I am Artist in Residence at the University of Birmingham Winterbourne House and Gardens until May 2020.
Winterbourne House and Gardens was a charming family home built in 1904 in the Arts and Crafts style. The last family to live in it bequeathed it to the University of Birmingham who used it for accommodation, offices and to teach botany from. In 2006 it got a new lease of life and has gone on to become a Grade II Garden of National Importance and now the house has full museum status. It is a treasure hidden away in the center of urban Birmingham.
I feel very lucky and privileged to be able to spend the next 18 months walking the public and private paths painting and drawing what I see. I am trying to ease into the project without giving myself too many restraints on what I make of it (painting, patterns, textile work) there is abundant inspiration – but for now I’m seeing where the work leads me by letting the grounds inspire what I do first .
And this was the first little plot that made my heart beat faster – this cute little shed hidden away from public access (unless you study with the RHS) It was used by the BBC for a gardening programme years ago.
Yesterday I sat in the sunshine and got most of this piece sketched in – the hardest part is always beginning, so that’s done now!
My residency will evolve to include all kinds of offerings at Winterbourne during the 18 months and finale with an exhibition in May 2020.
I will be sharing this journey on my new Artist in Residence (artist_winterbournehg)Instagram page : www.instagram.com/artist_winterbournehg/
and also on my personal Instagram page: http://www.instagram.com/claire_leggett/and here on the blog
I’d love you to join with me in this exciting chapter; I will be working on site regularly – so please come up to the studio above the bookshop or say hello if you spot me around the grounds – below is my Artist Statement for good measure.
Claire Leggett Artist in Residence 2018 – 2020_Statement
This past weekend we nipped over to Normandy, France to visit Monet’s garden in Giverny.
It’s been something I’ve wanted to do for years and HB had a spontaneous moment of birthday gifting and made it happen.
I’d heard a lot before I went about how small it was, how many visitors crammed in to see it, how it was the wrong season for this and that…
Some of that may be true – here’s a ‘truth’ photo of the constant crowds getting the bridge shot!
But generally I found that most people seemed to be storming around as they only had limited time on their coach/cruise ship excursion and so if you just linger and wait a quiet spot does open up around you.
The planting is unbelievable – whether you’re a gardener or a painter (or neither!) you can’t fail to appreciate it.
The borders are planted up in great long swathes of tonal groups – all yellows, reds and oranges or pinks or a quiet harmony of all-white plants.
It’s hard to get a really good photo of that as you are only allowed to walk the perimeter paths and not actually in and through the garden.
To get to the water lilies you use an under-the-road tunnel as Monet bought a plot of land across the road from the house and garden and landscaped it.
It’s much quieter in both its planting and because of the tranquility that all the water brings.
You can also paint in the gardens after hours Mon – Fri (not the weekends) by buying an artists pass at the ticket booth on the day you want to paint – buy the ticket between 5/5.30pm and then wait for the gardens to close and go back in after 6pm till 8pm.
If you want details I think the press office was the best source of information (details here)
It’s also worth knowing I think, that even if you print out your e-ticket and take it with you still have to stand in queue to go through with all those buying their tickets at the door. We had a false sense of security that we would get flagged through an express queue -no! so we were glad we’d gone early on in the day.
I’ll do a another post showing the house soon.
Here to talk roses! They’ve been brilliant this year until a few weeks back when we began this tropical weather we’re enjoying in the UK and a month in they’ve suffered from lack of water.
This week I’ve dedicated myself to trying to paint some before they’re completely passed it but they’ve wilted as fast as I can paint them.
A messy rose strewn desk is a lovely thing though.
So I’ve done what I can and I’m off to enjoy a g&t in the sun – happy weekend 🙂
This year has been a brilliant one for my Hellebores which have quadrupled in size.
I’ve been wanting to paint them for some time but couldn’t bring myself to cut any when there were only one or two flowers – but this year is quite different.
I’ve been playing around painting onto darker grounds than usual and I quite like it. It really helps those whites to stand out and it adds a little drama. These were both acrylics on tissue paper; the latter bringing a lovely dappled background which shone through the paint still.
I love a new discovery!
Muscari © Claire Leggett
The last few weeks have been very busy with HB’s 50th birthday celebrations and I had lots of kiddie classes to teach over the Easter break. However Spring flowers wait for no-one so as soon as these bloomed I made sure to grab some time to paint them. I’m glad I did – it turned out alright and was good for sanity and soul!
Protea_© Claire_Leggett
A little painting inspired by the beautiful South African Protea via my local Marks and Spencers!
I’ve been Spring cleaning of late – you know all those little jobs that you put off but need resolving eventually. So I’ve cleared and filed my desktop…dating back two years! collated all my pattern designing files into one place which was a major task and I’m making inroads into clearing out iphoto.
Which has prompted me to show you what i’ve been working away at over the last few months alongside other painting and design work.
Every 3 months I get a new group investigating textiles at MAC and I like to have a theme to demonstrate the techniques to and to show how you can develop ideas along an idea.
I was inspired by all things fishy when we were in the South of France in the summer and so that was my theme with my last group.
Above is a demo of open screen direct dye printing – fish scale style.
It’s always good to play around in a sketch book and I generate so many samples that I find it helpful to theme them into a book.
Students seem to appreciate looking at them and getting their own ideas of what to do.
And I love looking at students sketchbooks – one of the best things about textiles is that there is always something new to try or a new way of seeing or applying a technique.
We use a wide range of approaches in Mixed Media Textiles at MAC Birmingham and so I set myself the task of including a piece of all those techniques into one final piece.
An underwater scene lent itself nicely to the many layers of textile applications.
Hope you had an enjoyable Bank Holiday weekend whatever you were doing x
