On Saturday I had the pleasure to be back in Nottingham with the Spotted Dog Art Group.

They rose magnificently to the challenge of abstracting landscapes through colour and brushwork.


As you can see here from the landscape inspiration, use of colour and being able to see things differently were the keys to success.

And it didn’t matter what kind of landscape scene it was (above is industrial, below coastal) the artists successfully abstracted through colour changes and seeing in shapes.

Everyone kept their own artistic signature whilst all having the same input and ideas on how to start and develop their work into the non-representative and this is what I find endlessly fascinating and exciting about teaching and working alongside other artists.

I count myself lucky when work is such a pleasure – if I lived near Nottingham, I’d join in a heartbeat.

Until next year…

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One of my favourite ways to work is with a gelatin plate for mono-printing.

The process itself is messy-fun and the result, although not always what you expected to get, is always something interesting and useable.

When we’d been to Amsterdam a few years back, I did a lots of gelatin plate printing of the cute houses found there.

You can make effective stencils by cutting photographs directly – the gloss coated paper is great for this kind of printing.

I like to sew and applique into these prints to add details, further colour and visual texture and interest. But you can print effectively onto paper or fabric and they are a great source for any printmaker, scrapbooker or artist who might like to print and use texture, pattern or imagery to paint with, collage with or work further into with textile treatments.

If that’s got your interest and you’re within reach of MAC Birmingham then I am running a gelatin plate printing class on Thursday June 21st – tickets here.

If not then have a ‘google’ and give it a go – it’s a lot of fun 🙂

 

 

This year has been a brilliant one for my Hellebores which have quadrupled in size.

I’ve been wanting to paint them for some time but couldn’t bring myself to cut any when there were only one or two flowers – but this year is quite different.

I’ve been playing around painting onto darker grounds than usual and I quite like it. It really helps those whites to stand out and it adds a little drama. These were both acrylics on tissue paper; the latter bringing a lovely dappled background which shone through the paint still.

I love a new discovery!

There is a very small but sweet exhibition of some of the Scottish Colourists work from The Fleming Collection on show at the Barber Institute atm.

Peploe      Green Sea, Iona

Peploe, Cadell, Fergusson and Hunter were four friends who shared the same ideas about colour and style and were inspired by French painters experimenting with capturing light through colour.

Cadell        Carnations

They were inspired by The Fauves (which is of course why I like their work) and they also favoured bright colours, unmixed pigments and strong solid colours.

They termed their use of colour and obvious brushstrokes as ‘Rhythm’ to explain the patterning and texture on the canvas.

Hunter            Peonies in a Chinese Vase

You can forget about places when you live near them and this trip reminded me that the Barber Institutes permanent collection is also worth a visit.

The Rhythm of Light exhibition is on till 13th May 2018.

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                                                       Muscari © Claire Leggett

The last few weeks have been very busy with HB’s 50th birthday celebrations and I had lots of kiddie classes to teach over the Easter break. However Spring flowers wait for no-one so as soon as these bloomed I made sure to grab some time to paint them. I’m glad I did – it turned out alright and was good for sanity and soul!

Just back from a few days away in Portugal – Lisbon and Sintra.

Here’s Lisbon looking moody (read that as bad weather) My umbrella, gloves and hat were the best things I packed.


When in Portugal you must partake of the Pastel de nata – a Portuguese egg tart pastry that it’s famous for.

And of course there are old and new tiled buildings everywhere.

Heaven for the pattern lover here!

This was my favourite tile and that’s no men feat because I probably photographed 50 plus!

And of course one must ride on and also photograph the ubiquitous old yellow tram.

We also went out to Sintra (an hour away from Lisbon) a lovely rich, old town bursting with old palaces and old mansions with beautiful gardens to explore. The stand-out place being this: The Pena Palace.

There are more (and different) photos over on my Instagram account  here if you enjoyed.

 

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Yesterday I had the absolute pleasure of running an Expressive Watercolours workshop for Birmingham Carers in partnership with Birmingham Museums and Art Gallery. 

A lovely group of ladies (it turned out, although that’s not a requirement!) enjoyed sometime playing with watercolour, salt, wax and gum resists.

I always love working with people and seeing the breath and individuality of the art each person has in them.

This group was a particular privilege to be with because of the respite it offered them from the caring work they do.

BMAG offer not only monthly session but tea and cake too – if you’re a carer living in Birmingham and want to access the service then I think here is a good starting point : forwardcarers.org.uk

Screen Shot 2017-11-17 at 17.44.48

Did you notice I’d spruced up the website? New, fresh work samples in the portfolios, updated text and more representational photos of me…i.e. older looking!

Screen Shot 2017-11-17 at 17.45.03

As any sole trader will tell you, there’s a gazzillion things one could do with every hour of working time and for me the thing that slips is the website maintenance. But it’s been worth all the slog as I think it looks great and just like any good clear up (once it’s done) its been cathartic and satisfying.

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Hope you enjoy it too.

I have a ta-dah for you today – a tablecloth I hand-printed recently.

One reason I like to keep blogging is to record such things – when I looked back to see when I started my Fish project, I was surprised to see the date on the upload was May 2017. It takes a long time for some ideas to percolate and evolve and then actually get made.

You can find the beginning of my Fish sketchbook workings here and here although the actual inspiration came back in Summer 2016 whilst on holiday in France when I saw a lovely tablecloth in Fragonard.

I’m very lucky to have the best p/t job freelancing at MAC Birmingham the most brilliant arts center.

And sometimes I can use the space which I needed to for this big print job.

As you can see, the following day I wasn’t so fortunate and was squeezed onto the floor of my studio at home!

It took about 20 hours to print using around 10 colours so I won’t be going into production anytime soon but it’s important to art-play as it releases surprising creative avenues.

And it did – 6 fishy themed surface pattern designs got designed last week to go to market. Now wo’betide anyone who spills red wine on it!

 

 

 

 

 Protea_© Claire_Leggett

A little painting inspired by the beautiful South African Protea via my local Marks and Spencers!

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