You are currently browsing the category archive for the ‘drawing and printing’ category.

Made it!

Wow, that was a marathon adventure and like all good runners, towards then end I had to slow down rather than just stop and call it quits.

But like all things, its when you’re stretched and challenged that growth occurs.

The daily (or technically I should say sustained) practice of showing up to paint has indeed kept me creative and accountable for doing so.

And I have found that my muscle memory and my hand eye co-ordination has improved and that I’m as surprised as anyone when I can capture a plant in a few strokes of a brush and with a limited colour range.

In short, practice makes you better at looking and capturing.

Which shouldn’t surprise me really.

We know if we exercise that our muscles become stronger but probably don’t talk much in those terms of the process of practising creatively.

And we should, because it does work the same way.

I have thoroughly enjoyed naming the plants in my garden – many of which I have inherited from the previous owners or Mother Nature.

And I have a unexpected sense of satisfaction to have two books full of catalogued plant names.

But I am glad it’s finished now and as the season winds down I won’t have the challenge of finding something new to include.

With hindsight 100 was a lot and maybe 75 would have suited me just enough.

So when I calculated that there were only enough pages in the book for 96 I took that as a divine compromise 😉

I have been falling and leaping my way through this #100dayproject of Painting Something From My Garden Everday.

It’s not quite been everyday in a daily sense – more like nothing some days and three things another.

But for the most part it’s become a regular practice and I’ve kept up…just.

Some days I accepted a less than polished finished piece in favour of doing something rather than nothing.

I’ve also embraced my garden weeds and found them to be pretty and deserving of a place in the final book.

I’ve developed a mix of approaches to method and media.

On some rainy days I was forced to complete the work inside and I found the results were far better than when I’m painting irl.

However the feeling of, the experience of painting outside is far greater and brought a greater deal of well-being that gets lost as soon as it becomes studio work.

And I have enjoyed playing again with coloured pencils, pastels and collages solutions to painting white flowers on white paper.

That’s about it for now as things reach the final stretch – thank you for reading.

On June 1st I decided I’d commit to doing a 100days project. There were a few reasons for this:

For Christmas I got given a seed advent calendar which has been a lot of fun but also a lot of work – 25 different kinds of annuals to grow has kept me on my toes in the greenhouse. But it also means I have a lot of lovely plants to enjoy.

I had also enjoyed my residency at Winterbourne H&G so much that I had decided to try and document my own garden in a similar matter. However as is often the case when things are at home, it seems harder to paint and draw in my own garden. I have found time to do some studies and textile work but it doesn’t document the changes as I’d hoped because I can’t keep up the frequency of work needed.

Lastly, I’m back working at MAC (hurrah) and when I’m focussing on delivery I often find my own creativity takes a backseat.

So for all those reasons I started 100days of drawing/painting something in my own garden.

It doesn’t need to be finished or good and it can be quick or slow and I’m also finding I automatically apply several styles to my work but I’m not over-thinking it – just doing it, noticing and letting it be whatever it is.

Here’s the first six days.

Here it is 🥁🥁🥁 My first online painting project for you to do at home in your own time – handy for another Lockdown. And the great news is that I’m offering an Early Bird discount – the first 12 people get access for just £12 💫

A couple of people suggested I give digital teaching a go, so I’ve massively upped my skill set over the last few months and recorded a painting project which you can do step-by-step alongside me.

It’s a digital watercolour painting project comprising 13 videos to guide you through every step of making a still life painting of tomatoes on a plate. I demonstrate every step and there are two project options so you can find the right challenge for you.

You will learn how to stretch paper, how to use masking fluid, the Flooding and Salting techniques to create watercolour effects, the Lifting Out technique and advice on how to sketch, add hi-lights and shadows, what materials to use and how best to finish your painting. Created to offer you a moment of creativity – it is for all ages and stages and there are no expectations of you other than to have an enjoyable time.

All this to keep forever for just £15 by emailing hello@claireleggett.co.uk.

It’s been hard to ease back into a working pace this week because:

1) I have a post holiday, slow vibe,

2) My daughter Lucy has taken over my studio to do a print project of her own – which I love! – the project and accommodating her 😉

3) I’ve been shoved up in the corner under the roof while this happens :)))

When we visited Asia last year I was so inspired and awed by the new-to-me culture and decoration of Buddhist and Taoist religious spaces; in particular the use and construction of a variety of temple hangings.

I have had these hangings in mind as I am working my way through all kinds of delicious inspiration from those travels. This first completed hanging is a bringing together of all kinds of interpretation and methods of print and stitch.

I began painting this beautiful illuminated manuscript from the Islamic Arts Museum in Malaysia in a simplified way by isolating the little scalloped shape and flower.

I then developed that into a printable silk screen using flour and water paste – a very simple and easy homespun method.

As you can generally only use the screen once (the paste deteriorates as its washed clean) I printed up a stash of luscious fabrics to use, overprinting one particularly yummy fabric that I had previously batiked and tie-dyed.

I chose to stitch the flowers into each shape rather than hand-print them as I was looking to add texture and colour to the surface. The rectangular bottom section features a simple floral lino-block I developed from drawing embroidery motifs on items in the Textile Museum in Kuala Lumpur.

The elephant print began life as a teaching demonstration for how to using screen filler to screen-print hand-drawn images. I re-drew a section of this beautiful wall decoration from the Wat Chaiya Mangalaram, a Thai Buddhist Temple in George Town using drawing fluid. It is later coated in another filler and later the drawing lines are washed out leaving the space as printable mesh (I don’t have of photo of that – sorry)

Here it is printed onto a randomly dyed base fabric and I added some fabric foiling too (another demo).

I lived with the pieces up on my design wall for a while, visually editing it and adding in sequin trim and a fantastic gold dangly bit I’d squirralled away sometime. I decide to learn a stitch called Cretan Insertion to attach the gold ribbon to the bottom seam and I think it finished it off perfectly.

Now to re-group and begin the cycle again.

“Creativity is about play and a kind of willingness to go with your intuition. It’s crucial to an artist. If you know where you are going and what you are going to do, why do it?” Frank Gehry

This sums up nicely what I’ve been doing over the last few weeks. There’s nothing like a wide open calendar free of outside obligations to prompt some creative play. (I’m calling this my silver-lining having had all my work furloughed or postponed)

Early in 2019 I went to Malaysia with my daughter for a wonderful week full of culture like nothing I’d experienced before so this recent creative playing has been a wonderful chance to pick over the zillions of photos I took, pulling out images, colours and sights that tickle my arty-farty bones! I’m just responding to whatever makes my heart sing and going from there – I’m jumping from sketchbook to computer to lino-cutting to embroidery as I like and it’s wonderful fun to just play freely.

This is a little lino block I made after drawing some details from a beautiful silk textile at the National Textile Museum in Kuala Lumpur. 

This time last year a part of Winterbourne Garden was a riot of tall Poppies. It makes me a little sad to think that they are there again this year and we can’t get to see them.

Poppies are a favourite flower of mine to interpret; there’s just something satisfying to my eye about the shape of the flower – and they’re my favourite colour.

They also lend themselves very easily as a shape which is easily translatable into a screen-print stencil.

I was playing around with the translucency of the printing ink by adding in more binder to ‘thin’ the colour (a little like adding water to paint to dilute it)

I was happily printing and drying, printing and drying… when 6 HOURS later I dropped a dirty squeegee on the corner of it destroying the perfect print.

I had to walk away and leave it for a bit to think about how I could save it.  I used freezer paper stencils to finish the center of the flowers but added to the conundrum by using an ink which was very opaque (too much so) which spoilt the effect somewhat.

It sat in a pile in my studio for months. Many times I thought of putting it away for other uses but the colours and shapes just wouldn’t detach from desire to save it.

Eventually, having woken one day in a decisive mood, I cut (cropped) it heavily; fitting it to a pillow infill I had and then put some embroidery stitches to work to enhance the flower centers which needed sharpening visually.

And now I love it and am so glad I saw it through. Here’s to pererverance.

Summer Border was one of those easy designs that came about when I least expected (or planned) for it.

When I remember back, I was feeling the need to just sit and paint quietly and re-balance my equilibrium. So I did just that, looking at reference photos I had taken I simply let the flowers fill the page.

There was just something that hit the spot about the flow of shapes and colours and after a minimal amount of cleaning and duplication of elements, I had it in technical repeat. You can see the repeat below.

It’s always fun to then play around with the background colour but I came full circle back to the original white as all the colours work on it and it keeps it fresh.

With the best will in the world there’s no way I could print this by hand using a screen – I shall use a digital printer to reproduce this when  it’s time to exhibit a length.

 

 

This print gets its name and colour from one of the flowers featured in it; the Dianthus or Pink. It’s one of my favourite flowers both to paint and draw and to grow at home.

I used a screen printing technique called screen filler; a thick blue gel which is painted onto the screen to keep the mesh free and printable once the whole process is completed. Once this gel is dry another red solution is squeegeed over (as seen above) and once that’s dry you can wash the gel out leaving the pattern you painted in as step 1. It’s a great way to create prints that capture a real hand-painted feel.

I made things a little more complicated for myself by painting the screen imagery design in repeat and then registering each screen (and there were many as it was such a diddy sized screen) on my table top in my home studio. There’s a fun little time-lapse video of the process here. Many print pulls and a lot of drying time later, it did need a few hand-painted elements filled into gaps that has appeared through inaccurate alignments but you’d never notice so I won’t say anymore 😉

Copyright notice 2020

All images, text, and content on this site are the sole property of Claire Leggett and may not be used, copied or transmitted without the express consent of Claire Leggett.

If you wish to link to this site or to a post from this site, please ask first before doing so and then give appropriate credit for content.

Any other inquiries please email me at hello@claireleggett.co.uk

Instagram

I had a to-do list today & printing this wasn’t on it BUT I had to try out my new printing inks from @pickprettypaints straightaway 😄🌿🌈 #textiledesign #textileart #patterns #print #printmaking #linocut #fabricprint #fabricdesign #pattern #patternmaking #linoprint #fabricprinting #patternlove #lino #alwaystimeforpatternmakibg #linoprinting
Took a little Insta break to play around painting & drawing (more on that to follow 💫) and complete some other projects -see my Stories today for a little round up 🎥 #anartistslife #catchup #artistsoninstagram #paintingplaydate #artistworld #mywork #artworkinprogress
I’ve reached the end of my #100dayproject 💪🏻 but maybe not in 100 actual days plus there are only 96 pages in my book 😉🤷🏻‍♀️ so I lost stamina towards the end and had to really search the garden for something not yet studied but I’ve done it ☺️ here’s about half of them 🖼#sketchbook #creativelifehappylife #creativityeveryday #dailypracticeofpainting #artistsoninstagram #gouache #inspiredbythegarden #artist #mygardenflowers #painting #paintersofinstagram #art#alittleeachday #gouachepainting #watercolour #watercolor #flowers #paint #sketchbookdrawing #daily #dailypracticeofpainting #watercolourpainting #paint #paintingflowers #creativity #everyday #artwork #100dayproject2021
Here’s the final few to complete my 100dayproject of painting 100 things from my garden 🌻🌿🍅🪴🌷🥬#sketchbook #creativelifehappylife #creativityeveryday #dailypracticeofpainting #artistsoninstagram #gouache #inspiredbythegarden #artist #mygardenflowers #painting #paintersofinstagram #art#alittleeachday #gouachepainting #watercolour #watercolor #flowers #paint #sketchbookdrawing #daily #dailypracticeofpainting #watercolourpainting #paint #paintingflowers #creativity #everyday #artwork #100dayproject2021

Link with love

LINKwithlove

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 311 other followers

Categories

Archives