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Here it is 🥁🥁🥁 My first online painting project for you to do at home in your own time – handy for another Lockdown. And the great news is that I’m offering an Early Bird discount – the first 12 people get access for just £12 💫

A couple of people suggested I give digital teaching a go, so I’ve massively upped my skill set over the last few months and recorded a painting project which you can do step-by-step alongside me.

It’s a digital watercolour painting project comprising 13 videos to guide you through every step of making a still life painting of tomatoes on a plate. I demonstrate every step and there are two project options so you can find the right challenge for you.

You will learn how to stretch paper, how to use masking fluid, the Flooding and Salting techniques to create watercolour effects, the Lifting Out technique and advice on how to sketch, add hi-lights and shadows, what materials to use and how best to finish your painting. Created to offer you a moment of creativity – it is for all ages and stages and there are no expectations of you other than to have an enjoyable time.

All this to keep forever for just £15 by emailing hello@claireleggett.co.uk.

Exciting news coming soon… an online painting project from yours truly: A step-by-step, at-your-pace, video-based painting class for just £15 (with a special price of 💫 £12 💫for the first 12 sign ups) – that’s less than £1 per video. And you’ll have access to it forever. 13 separate YouTube videos, each one explaining every step of the process, as we paint and create a still-life together (tomatoes on a plate 🍅 or apples🍏 in a bowl, it’ll be up to you). I still have a few uploads to complete and then all will be revealed…

Here in no particular order of date painted or size, are the 12 paintings I have completed as part of my Artist in Residency at Winterbourne House and Gardens, Birmingham University.
I like to work in many styles as a response to what I’m seeing to paint.
Most are gouache watercolour layered up with texture and washes of colour. But there are also a couple of mixed media pieces with acrylic.
I started out with grand plans to document the seasons passing or the same plants at different points in time but actually I was quickly over whelmed by how much growing goes on and how much there was to document in so many valid ways.
In the end I opted for a simple formula – I painted whatever brought me joy, whenever, wherever it did.
This project has stretched and challenged my ability as an artist to capture landscape, light, the feel of a place and working to represent a lot of visual information even in smaller works.

Just popping in with a few catch-up pieces from my residency at Winterbourne House and Garden.

It’s been hard to catch a good time to be out painting because of the sudden changes in weather and temperature. One solution has been to work in miniature, although these paintings still take quite a time.

 

Everything is growing very fast and I’m trying my best to catch a little bit of it all as there’s no way I can do all of it justice. The Auriculas have long been a favourite of mine so it was nice to capture them.

This little guy had to be caught on canvas having visited me whilst sketching one day and had a good long proper chat and even hopped around the side of me as if to see what I was doing.

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In between rain showers I have picked around the edges of the garden finding the odd lovely flower here and there.

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One one flower on the candelabra Primula, only three ranunculus blooms that were uneaten by creatures and a couple of bluebells because I already know how hard they are to paint!

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I added some spots and stripes and it came together by itself.

© Claire Leggett  Ranunculus and Bluebells

© Claire Leggett Ranunculus and Bluebells

This painting and all my others and more besides will be with me at Patchings Festival beginning this Thursday – if you’re on Flickr you can watch the festival progress here and if you are visiting do come and say hi.

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It’s been a great year for tulips in the garden.

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I re-subscribed to a magazine and got some Sarah Raven bulbs as a freebie.

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And they have been beautiful – big, blowsy flowers – interesting colours and shapes. Apricot Beauty was the first to fully flower last week.

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It hurt A LOT to cut three of the nine stems to bring in and paint.

But here they are immortalised 🙂

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© Claire Leggett     Apricot Beauty

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I’ve been sloshing pink, purple, blue and red around in the lovely square of spring sunshine coming through the window.

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And I’d forgotten about dip pens (or nib pens or whatever you wanna call them)

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The light is failing now but here’s a camera pic anyway to show the finished thing.

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Valentines Day aside, we all need a reminder of this. xxx

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I am just back from a tres blustery walk in the woods with Lottie and ready to share a little sunshine here because it is just so crazy miserable out there today.

Here’s proof that the sun did shine for a moment yesterday – honest!

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These are close up’s of some bright, sunny flowers I’ve been painting for greetings cards – the kind you find where there is sunshine to grow them – remember sunshine? warmth? being able to walk along without fear of that creaking branch actually snapping off and falling on your head?!

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When I got back to my desk, my inbox sent me a little sunshine too, with news of a , an invite to apply for a craft fair and this quote from Good Reads :

Folks are usually about as happy as they make their minds up to be

 Abraham Lincoln

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Good advice Mr Lincoln – I am now ignoring the hail stones beating on the skylight window and going back to a happy, sunny painty place 🙂

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Over the last two weeks I have been to-ing and fro-ing with this painting here. I have wanted to capture some snowdrops for a while but there is  such a short window between buying them and getting them painted that before you blink they’ve dried up.

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I’ve also had these ‘snooty cats’ for a while now – a car boot sale find – they just appeal to me and I like their slightly haughty air.

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The background was some off cuts of our bedroom wallpaper which I never tired of until this painting.

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So I set this up fairly confidently that the colours and compositions were going to work and set to getting those snowdrops done quickly.

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A few days solid painting and I’d finished…so I thought! I like to prop paintings up somewhere outside of the studio and live with them for a while – it gives a bit of perspective on the finished article and for good reason because as we lived with this, we could all see that those birds were really distracting. Back to the drawing board.

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I carefully mopped them out and painted in using the background colours which were (luckily) still left on the palette – hurray for watercolours. Cue a bit more living with it and it still wasn’t clicking. i decided that the background paper, beautiful as it is, was just not the right pattern for this set up because it was fighting for attention.

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So I took a radical step which took a few days of building up to, and masked the whole of the foreground and then washed the entire background out and began again.

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Scary stuff! I can continue to recommend Peobe masking fluid is all I can say.

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I should also say that the paper was stretched on a board so even though it got a good soaking, once it dried out, is was tight and flat again.

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Then I painted in a plain grey background colour and masked in a simple, more regular pattern which I then painted over again for a two-tone finish. And I. was. sick. of.it!

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© Claire Leggett “Snooty Cats”

So here is the final metamorphosis of this painting. I’m moving on 😉

Copyright notice 2020

All images, text, and content on this site are the sole property of Claire Leggett and may not be used, copied or transmitted without the express consent of Claire Leggett.

If you wish to link to this site or to a post from this site, please ask first before doing so and then give appropriate credit for content.

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