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When we visited Asia last year I was so inspired and awed by the new-to-me culture and decoration of Buddhist and Taoist religious spaces; in particular the use and construction of a variety of temple hangings.

I have had these hangings in mind as I am working my way through all kinds of delicious inspiration from those travels. This first completed hanging is a bringing together of all kinds of interpretation and methods of print and stitch.

I began painting this beautiful illuminated manuscript from the Islamic Arts Museum in Malaysia in a simplified way by isolating the little scalloped shape and flower.

I then developed that into a printable silk screen using flour and water paste – a very simple and easy homespun method.

As you can generally only use the screen once (the paste deteriorates as its washed clean) I printed up a stash of luscious fabrics to use, overprinting one particularly yummy fabric that I had previously batiked and tie-dyed.

I chose to stitch the flowers into each shape rather than hand-print them as I was looking to add texture and colour to the surface. The rectangular bottom section features a simple floral lino-block I developed from drawing embroidery motifs on items in the Textile Museum in Kuala Lumpur.

The elephant print began life as a teaching demonstration for how to using screen filler to screen-print hand-drawn images. I re-drew a section of this beautiful wall decoration from the Wat Chaiya Mangalaram, a Thai Buddhist Temple in George Town using drawing fluid. It is later coated in another filler and later the drawing lines are washed out leaving the space as printable mesh (I don’t have of photo of that – sorry)

Here it is printed onto a randomly dyed base fabric and I added some fabric foiling too (another demo).

I lived with the pieces up on my design wall for a while, visually editing it and adding in sequin trim and a fantastic gold dangly bit I’d squirralled away sometime. I decide to learn a stitch called Cretan Insertion to attach the gold ribbon to the bottom seam and I think it finished it off perfectly.

Now to re-group and begin the cycle again.

I made the most of the recent sunny weather to do some messy dye projects in the garden.

This is some Shibori fun- the Japanese method of clamping and twisting fabric prior to dying.

It is so simple but effective but in the past it hasn’t always delivered the results hoped for until this time when the sun rendered me more patient than usual!

I’m planning some projects of things to make and stitch with these beautiful fabrics if I can bear to cut into them.

Jo Smith

These photos are from a recent exhibition by Prism on at the RBSA (which has sadly now ended) but I wanted to share them none-the-less.

Dorothy Tucker

Called ‘Another View’ it aimed to demonstrate just how broad Textiles can be and it delivered on that and some – it was both ingenious and thoughtful.

 

Claire Blackburn

Members of this Textile group are international but until now their exhibitions have been London-centric  – and it was so refreshing to see Textiles on at the RBSA and to see such a considered, well curated, quality exhibition.

Susie Vickery

The range of applications was very wide but I am always drawn to colour, pattern, stitch and print.

Prism felt

And the thought and development behind a lot of the pieces was very inspiring – lots of inspiration to be had.

Maria Boyle

MAC Birmingham also has two Textile exhibitions running atm so it’s a good time to be a proud Birmingham textile-lover!

Anita Bruce

Marken_embroidery4_Claire_leggett

I have been having a lot of fun over the last few months teaching Mixed Media Textiles at MAC Birmingham. This is a fabric collage piece based on the lovely village of Marken in the Netherlands.

Marken_embroidery1_Claire_leggett

The students are full of talent and creativity and sometimes it’s easier to show someone how they could approach their work, rather than explain it.

Marken_embroidery_Claire_leggett

So I have been using our Amsterdam trip as inspiration to re-aquaint myself with techniques and ways of working that I haven’t used recently while painting so as to make a sketchbook of samples.

Marken_embroidery2_Claire_leggett

And boy have I had fun! And learnt some things long forgotten such as I love print, love using embroidery stitch to draw with, like trans foiling, like dying but still hate weaving – too slow!

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