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When we visited Asia last year I was so inspired and awed by the new-to-me culture and decoration of Buddhist and Taoist religious spaces; in particular the use and construction of a variety of temple hangings.
I have had these hangings in mind as I am working my way through all kinds of delicious inspiration from those travels. This first completed hanging is a bringing together of all kinds of interpretation and methods of print and stitch.
I began painting this beautiful illuminated manuscript from the Islamic Arts Museum in Malaysia in a simplified way by isolating the little scalloped shape and flower.
I then developed that into a printable silk screen using flour and water paste – a very simple and easy homespun method.
As you can generally only use the screen once (the paste deteriorates as its washed clean) I printed up a stash of luscious fabrics to use, overprinting one particularly yummy fabric that I had previously batiked and tie-dyed.
I chose to stitch the flowers into each shape rather than hand-print them as I was looking to add texture and colour to the surface. The rectangular bottom section features a simple floral lino-block I developed from drawing embroidery motifs on items in the Textile Museum in Kuala Lumpur.
The elephant print began life as a teaching demonstration for how to using screen filler to screen-print hand-drawn images. I re-drew a section of this beautiful wall decoration from the Wat Chaiya Mangalaram, a Thai Buddhist Temple in George Town using drawing fluid. It is later coated in another filler and later the drawing lines are washed out leaving the space as printable mesh (I don’t have of photo of that – sorry)
Here it is printed onto a randomly dyed base fabric and I added some fabric foiling too (another demo).
I lived with the pieces up on my design wall for a while, visually editing it and adding in sequin trim and a fantastic gold dangly bit I’d squirralled away sometime. I decide to learn a stitch called Cretan Insertion to attach the gold ribbon to the bottom seam and I think it finished it off perfectly.
Now to re-group and begin the cycle again.
This print gets its name and colour from one of the flowers featured in it; the Dianthus or Pink. It’s one of my favourite flowers both to paint and draw and to grow at home.
I used a screen printing technique called screen filler; a thick blue gel which is painted onto the screen to keep the mesh free and printable once the whole process is completed. Once this gel is dry another red solution is squeegeed over (as seen above) and once that’s dry you can wash the gel out leaving the pattern you painted in as step 1. It’s a great way to create prints that capture a real hand-painted feel.
I made things a little more complicated for myself by painting the screen imagery design in repeat and then registering each screen (and there were many as it was such a diddy sized screen) on my table top in my home studio. There’s a fun little time-lapse video of the process here. Many print pulls and a lot of drying time later, it did need a few hand-painted elements filled into gaps that has appeared through inaccurate alignments but you’d never notice so I won’t say anymore 😉
Screen printing is one of my reasons for living. There is something delicious to me about flattening imagery into printable shapes. Add-in some effects which bring texture and then layer up colours over one another and it all becomes a joyful alchemy!
I’ve drawn many images while being Artist-in-Residence at Winterbourne Gardens theses past 18 months – too many to actually use to complete all the designs in my head- but Foxgloves came to full fruition.
On a very hot July day I sat in the cool shade drawing these humble but beautiful flowers (I also came home inspired to sow Foxglove seeds which are now planted up and days away from flowering here at home)
It occurred to me that a print technique I use which utilises talcum powder as a print resist, would make the perfect replication of the spattering pattern found in the interior of a Foxglove flower.
I cut several stencils to overlay each other so that I could build the plant images in 3 colours through 3 screen pulls of colour. Then at the last minute inspiration struck and I opted to mix the colours directly through the action of flooding the screen with ink, resulting in a swirl of colour.
I will often print and pile-up but this pandemic has afforded me the time to stop and assess work already done rather than continuing on the treadmill of making more. And so the Foxgloves have found a final resting place; a resting place my head will enjoy too.
This past week I’ve been doing a little screen printing project at home.
A little zippy bag for my soon-to-be aupairing girl.
And the time and the weather gave us a chance to get into the garden this long weekend and sort it out a bit- the upside of which is finding flowers once hidden.
And the opportunity to photograph socks freshly off the needles.
The Fairisle flower was finished first. You can find it here but I added the toe pattern which has made them a little pointy – elf socks!
And this wool I bought when Debbie Bliss came to our local knitting shop recently, bringing a discount day with her.
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I hope you’ve enjoyed your long holiday weekend too.
