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This print gets its name and colour from one of the flowers featured in it; the Dianthus or Pink. It’s one of my favourite flowers both to paint and draw and to grow at home.

I used a screen printing technique called screen filler; a thick blue gel which is painted onto the screen to keep the mesh free and printable once the whole process is completed. Once this gel is dry another red solution is squeegeed over (as seen above) and once that’s dry you can wash the gel out leaving the pattern you painted in as step 1. It’s a great way to create prints that capture a real hand-painted feel.

I made things a little more complicated for myself by painting the screen imagery design in repeat and then registering each screen (and there were many as it was such a diddy sized screen) on my table top in my home studio. There’s a fun little time-lapse video of the process here. Many print pulls and a lot of drying time later, it did need a few hand-painted elements filled into gaps that has appeared through inaccurate alignments but you’d never notice so I won’t say anymore 😉

Screen printing is one of my reasons for living. There is something delicious to me about flattening imagery into printable shapes. Add-in some effects which bring texture and then layer up colours over one another and it all becomes a joyful alchemy!

I’ve drawn many images while being Artist-in-Residence at Winterbourne Gardens theses past 18 months – too many to actually use to complete all the designs in my head- but Foxgloves came to full fruition.

On a very hot July day I sat in the cool shade drawing these humble but beautiful flowers (I also came home inspired to sow Foxglove seeds which are now planted up and days away from flowering here at home)

It occurred to me that a print technique I use which utilises talcum powder as a print resist, would make the perfect replication of the spattering pattern found in the interior of a Foxglove flower.

I cut several stencils to overlay each other so that I could build the plant images in 3 colours through 3 screen pulls of colour. Then at the last minute inspiration struck and I opted to mix the colours directly through the action of flooding the screen with ink, resulting in a swirl of colour.

I will often print and pile-up but this pandemic has afforded me the time to stop and assess work already done rather than continuing on the treadmill of making more. And so the Foxgloves have found a final resting place; a resting place my head will enjoy too.

 

Our trip to Southern Asia earlier this year (here, here, here and here) was rich in visual and cultural inspiration.

I’ve honestly felt a little overwhelmed by how deep and far I could go into this vibrant feast of creative stimulus and output – whether to start with painting or stitch or print. And all the while I’m spinning the other plates of my self-employment as an artist: delivery/teaching and all the admin that it takes to run a small business. It can be distracting and actually difficult to get time to be creative some weeks.

So I just began. One day unceremoniously. Just where I was. No fanfare or special time set aside. I just started. I took off simply by doing a little each day – whatever I had time for.

As I teach screen-printing and mixed media textiles twice a week at MAC, I kicked off this intention by focusing my preparation for these classes on my Asia photos – and I have a lot to choose from as I took nearly 7000! inc duplicates for a better shot – you know? So to make that task less anxiety inducing, I split those into files: Malaysia, Vietnam, Cambodia and Laos. I currently haven’t got to the end of the 2.243 photos taken in Malaysia!

So if I was demonstrating cutting a screen-print stencil I based it on a motif from of a beautiful textile in the National Textile Museum in Kuala Lumpur or if I was making an example of free-machine embroidery for my Mixed Media Textiles class I referenced a drawing I’d done from a beautiful silk kimono.

Sometimes that was a basic quick line drawing, other times I had paints out to use. On some evenings I have doodled in front of the TV on my ipad pro – not that I’m especially proficient but it’s a great way to easily draw and digitalise your handwork.

It’s true what they say about ‘a little and often’ –  gradually my pile of Asia work is coming to life.

Well here’s a mini love story for a dull Monday morning… about 20 years ago we met at art college. Mr L was studying Graphic Design while I was studying to do this kind of thing on a much larger scale. Back in those tender times we always had time to go and help each other out. Two decades later and he’s still my best screen printing pal – my best everything pal in fact!

Circus girl screen print mosaic Oct 2009

My memory of print techniques got quickly refreshed on this project – the most important one being read the labels and see if the screen printing ink is suitable for laundering!! OK, I won’t make that mistake again but it’s done now. Got a bit of sewing to do before the final show and tell.

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