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A week ago today we were soaking up the sunshine in Giverny, France, visiting Monet’s house and garden.

I think it’s a sign of ageing that I enjoy the nostalgia of a place such as this,

that and it’s cute, old world french-ness.

He lived here for forty-three years from 1883 to 1926 and I love theres still the sense that (however romantic and untrue it may be!) that he just sat here, or ate there…


The original house was very small and Monet enlarged it on both sides making it not very deep but very wide, which is kind of nice as there are now lots of windows all looking onto the garden.

The barn next to the house was adapted to become his studio although it was mostly for storage as he painted in the open air.

Above it’s the product of patience – below the reality! People everywhere.

Monet chose all the colours in the house and particularly wanted the blue kitchen to show through to the yellow dining room.

If you visit and happen to arrive when the queue to look around the house is small, then my advice is do it before the garden. We couldn’t resist the garden first and ended up with a long hot queue in the sun.

Hope you’ve enjoyed an armchair tour – here’s some fun facts I happened across if you want more 🙂

 

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This past weekend we nipped over to Normandy, France to visit Monet’s garden in Giverny.

It’s been something I’ve wanted to do for years and HB had a spontaneous moment of birthday gifting and made it happen.

I’d heard a lot before I went about how small it was, how many visitors crammed in to see it, how it was the wrong season for this and that…

Some of that may be true – here’s a ‘truth’ photo of the constant crowds getting the bridge shot!

But generally I found that most people seemed to be storming around as they only had limited time on their coach/cruise ship excursion and so if you just linger and wait a quiet spot does open up around you.

The planting is unbelievable – whether you’re a gardener or a painter (or neither!) you can’t fail to appreciate it.

The borders are planted up in great long swathes of tonal groups – all yellows, reds and oranges or pinks or a quiet harmony of all-white plants.

It’s hard to get a really good photo of that as you are only allowed to walk the perimeter paths and not actually in and through the garden.

To get to the water lilies you use an under-the-road tunnel as Monet bought a plot of land across the road from the house and garden and landscaped it.

It’s much quieter in both its planting and because of the tranquility that all the water brings.

You can also paint in the gardens after hours Mon – Fri (not the weekends) by buying an artists pass at the ticket booth on the day you want to paint – buy the ticket between 5/5.30pm and then wait for the gardens to close and go back in after 6pm till 8pm.

If you want details I think the press office was the best source of information (details here)

It’s also worth knowing I think, that even if you print out your e-ticket and take it with you still have to stand in queue to go through with all those buying their tickets at the door. We had  a false sense of security that we would get flagged through an express queue -no! so we were glad we’d gone early on in the day.

I’ll do a another post showing the house soon.

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