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One of my favourite plants at Winterbourne is the Ginkgo biloba tree. It’s a lovely green through to yellow and then when the leaves fall they dry nicely and are sturdy enough to last a few rounds with an artist.

I wanted to create a fabric that reflected the fall of leaves by printing one colour upon another. Not to spoil the punchline but in choosing to do this through heat-press printing I think I stacked the odds against myself. But I did choose that method and here’s why it was the ‘wrong’ method for the outcome. Heat reactive dyes don’t paint out in the colour they will print to be – you have to mix it up using 25% knowledge and 75% hope. You can see above that I wrote out colour recipes and did little test samples but even that didn’t act as a reliable repeat receipe.

Heat reactive dyes transfer their colour from paper to fabric in a heat press (or under an iron if its hot and heavy enough) I made several papers from the colours I’d mixed up and painted the dye on using brush techniques witch would emulate the fan shape of ridges on the Ginkgo leaf.

 

The tricky part in my project was thinking and working from the base layer up – I knew what I wanted to do; which was to print pale tones of the leaves at the bottom and then do several more layers of colours becoming stronger each time. What happened was that the dyes were either mixed to be too strong in tone or variations in the temperature or time in the heat press caused some of the base layers to come out shouting ‘look at me!’

I did persevere and got some nice areas of overlaying colour. The rhythm of the leaves as they fell on the ground got lost a little because of working in reverse and the tricky job of laying all the pieces out and getting them into the heat press without moving them at all. I had painted some ridges in using what I thought to be a pale tawny brown but was in fact almost black – to counter balance that I used fabric foiling to knock them back; doesn’t a bit of glitter away distract the eye!

 

In the end I stopped once this sample piece was completed and called it a cushion cover. I didn’t want to persue it enough to make an actual fabric length of it. It has an aesthetic all of it’s own and not one I recognise as being mine! But in the round, process and reflection are great learning markers and when the day comes to try and capture those leaves again I will employ screen printing techniques which will make the process easier and more controllable and the outcome perhaps closer to what I’d intended. Until then here is a finished sample which is also a work in progress.

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