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This will be my final post showing all the work I completed as Artist in Residence at Winterbourne House & Gardens. This post features the Textile work that I’ve done – not the printed pieces or pattern designs which I’ve already showed you but the embroidery pieces.

These may have started life as printed textiles which were then embellished with stitch but they have come to life as either hand or machine embroidered works of art.

I had grand plans to do much more; Margaret Nettlefold (one of the original home owners) was very fond of needlework herself and so it was very in keeping to follow this line of response.

However if you’ve ever done any embroidery yourself, you’ll know how time consuming it is. The chair featured here is an old oak chair from WH&G and emulates the chair seat cover that Margaret herself made which is on show in the house.

And so that ends this chapter of work for me. It has challenged and inspired me as an artist.

I can’t remember having such a long-standing project before which is a lesson in pace and stamina in itself.

It’s been a real treat to have had this opportunity and whilst I could still do it all again and find I haven’t enough time, I am also complete and ready to focus on new inspiration to work from.

This print gets its name and colour from one of the flowers featured in it; the Dianthus or Pink. It’s one of my favourite flowers both to paint and draw and to grow at home.

I used a screen printing technique called screen filler; a thick blue gel which is painted onto the screen to keep the mesh free and printable once the whole process is completed. Once this gel is dry another red solution is squeegeed over (as seen above) and once that’s dry you can wash the gel out leaving the pattern you painted in as step 1. It’s a great way to create prints that capture a real hand-painted feel.

I made things a little more complicated for myself by painting the screen imagery design in repeat and then registering each screen (and there were many as it was such a diddy sized screen) on my table top in my home studio. There’s a fun little time-lapse video of the process here. Many print pulls and a lot of drying time later, it did need a few hand-painted elements filled into gaps that has appeared through inaccurate alignments but you’d never notice so I won’t say anymore 😉

This print Alyssum, is one I’ve developed as part of my Artist in Residence work at Winterbourne House & Gardens, University of Birmingham, Edgbaston.

It began with a painted sketch done on site which was then cleaned up on the computer and digitally altered into a repeating pattern. I also played around with colour options settling for white on a colour background as I felt it best represented the flower itself. Using a sublimation printer, I then printed a piece of heat-transfer paper and printed some fabric using the heat-press.

Then I ran up a cushion and added some bobble trim et le voici!

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My residency period at Winterbourne House & Gardens is coming to a close at the end of this month so I thought I’d catch this space up with some of the work I’ve completed.Screen Shot 2020-05-13 at 14.35.22

There has been a wealth of inspiration – too much to do full justice to. I have had to pace myself and just do what presented itself in the moment.

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Sometimes that was scenery and sometimes individual plants.

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And it’s fed into the production of all sorts of outcomes which I’ll share here – textiles, printed and embroidered, paintings, pattern designs and two sketchbooks bursting with reference material. Videos of these are best seen on my Instagram pages-  one here on my Residency page http://www.instagram.com/artist_winterbournehg and one on my personal Instagram page instagram.com/claire_leggett –  both up at the top in the Hilights reel.

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How the time just flies by! There I was preparing a catch up blog post about my work as Artist-in-Residence at Winterbourne House and Gardens and then all of a sudden the weather has changed, the gardens developed and what I had to show you looks distinctly wintery!

This week has been glorious, unlike the preceeding two which rained on and off so much I couldn’t chance getting out to draw or paint without a small soaking. Consequently the gardens are thriving and growing. The Anthemis border looks absolutely stunning at the moment and is top of my list to work on given long enough to do so.

I spent a day drawing arounds the grounds on Monday (and looking at old maps in the archives) getting some visual reference for some print work I’m doing and also some embroidery.

Prior to that April brought a beautiful Flowering Japonica which grew all white and blossomy in a dark corner of the garden providing lots of contrast.

I’m spinning a lot of plates atm on a lot of projects and the only way I can move forward is to do a little on all fronts and wait for the bucket to fill! I’m working in bursts when time allows but importantly, enjoying all the variety. This week in preparation of teaching my MAC Birmingham students how to print in repeat, I drew on Mondays Foxglove studies and printed a nodding row of these lovely flowers.

And if you’re interested in stitching and embroidery, this lovely workshop at Winterbourne is on sale now and you can read about it here – it’d be lovely to meet you in real life 🙂

 

Just popping in with a few catch-up pieces from my residency at Winterbourne House and Garden.

It’s been hard to catch a good time to be out painting because of the sudden changes in weather and temperature. One solution has been to work in miniature, although these paintings still take quite a time.

 

Everything is growing very fast and I’m trying my best to catch a little bit of it all as there’s no way I can do all of it justice. The Auriculas have long been a favourite of mine so it was nice to capture them.

This little guy had to be caught on canvas having visited me whilst sketching one day and had a good long proper chat and even hopped around the side of me as if to see what I was doing.

I am absolutely delighted to share the news with you that I am Artist in Residence at the University of Birmingham Winterbourne House and Gardens until May 2020.

 Winterbourne House and Gardens was a charming family home built in 1904 in the Arts and Crafts style. The last family to live in it bequeathed it to the University of Birmingham who used it for accommodation, offices and to teach botany from. In 2006 it got a new lease of life and has gone on to become a Grade II Garden of National Importance and now the house has full museum status. It is a treasure hidden away in the center of urban Birmingham.

 I feel very lucky and privileged to be able to spend the next 18 months walking the public and private paths painting and drawing what I see. I am trying to ease into the project without giving myself too many restraints on what I make of it (painting, patterns, textile work) there is abundant inspiration – but for now I’m seeing where the work leads me by letting the grounds inspire what I do first .

And this was the first little plot that made my heart beat faster – this cute little shed hidden away from public access (unless you study with the RHS) It was used by the BBC for a gardening programme years ago.

Yesterday I sat in the sunshine and got most of this piece sketched in – the hardest part is always beginning, so that’s done now!

My residency will evolve to include all kinds of offerings at Winterbourne during the 18 months and finale with an exhibition in May 2020.

I will be sharing this journey on my new Artist in Residence (artist_winterbournehg)Instagram page : www.instagram.com/artist_winterbournehg/ 

 and also on my personal Instagram page: http://www.instagram.com/claire_leggett/and here on the blog

I’d love you to join with me in this exciting chapter; I will be working on site regularly – so please come up to the studio above the bookshop or say hello if you spot me around the grounds – below is my Artist Statement for good measure.

Claire Leggett Artist in Residence 2018 – 2020_Statement

 

 

 

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