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I am absolutely delighted to share the news with you that I am Artist in Residence at the University of Birmingham Winterbourne House and Gardens until May 2020.

 Winterbourne House and Gardens was a charming family home built in 1904 in the Arts and Crafts style. The last family to live in it bequeathed it to the University of Birmingham who used it for accommodation, offices and to teach botany from. In 2006 it got a new lease of life and has gone on to become a Grade II Garden of National Importance and now the house has full museum status. It is a treasure hidden away in the center of urban Birmingham.

 I feel very lucky and privileged to be able to spend the next 18 months walking the public and private paths painting and drawing what I see. I am trying to ease into the project without giving myself too many restraints on what I make of it (painting, patterns, textile work) there is abundant inspiration – but for now I’m seeing where the work leads me by letting the grounds inspire what I do first .

And this was the first little plot that made my heart beat faster – this cute little shed hidden away from public access (unless you study with the RHS) It was used by the BBC for a gardening programme years ago.

Yesterday I sat in the sunshine and got most of this piece sketched in – the hardest part is always beginning, so that’s done now!

My residency will evolve to include all kinds of offerings at Winterbourne during the 18 months and finale with an exhibition in May 2020.

I will be sharing this journey on my new Artist in Residence (artist_winterbournehg)Instagram page : www.instagram.com/artist_winterbournehg/ 

 and also on my personal Instagram page: http://www.instagram.com/claire_leggett/and here on the blog

I’d love you to join with me in this exciting chapter; I will be working on site regularly – so please come up to the studio above the bookshop or say hello if you spot me around the grounds – below is my Artist Statement for good measure.

Claire Leggett Artist in Residence 2018 – 2020_Statement

 

 

 

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This past weekend we nipped over to Normandy, France to visit Monet’s garden in Giverny.

It’s been something I’ve wanted to do for years and HB had a spontaneous moment of birthday gifting and made it happen.

I’d heard a lot before I went about how small it was, how many visitors crammed in to see it, how it was the wrong season for this and that…

Some of that may be true – here’s a ‘truth’ photo of the constant crowds getting the bridge shot!

But generally I found that most people seemed to be storming around as they only had limited time on their coach/cruise ship excursion and so if you just linger and wait a quiet spot does open up around you.

The planting is unbelievable – whether you’re a gardener or a painter (or neither!) you can’t fail to appreciate it.

The borders are planted up in great long swathes of tonal groups – all yellows, reds and oranges or pinks or a quiet harmony of all-white plants.

It’s hard to get a really good photo of that as you are only allowed to walk the perimeter paths and not actually in and through the garden.

To get to the water lilies you use an under-the-road tunnel as Monet bought a plot of land across the road from the house and garden and landscaped it.

It’s much quieter in both its planting and because of the tranquility that all the water brings.

You can also paint in the gardens after hours Mon – Fri (not the weekends) by buying an artists pass at the ticket booth on the day you want to paint – buy the ticket between 5/5.30pm and then wait for the gardens to close and go back in after 6pm till 8pm.

If you want details I think the press office was the best source of information (details here)

It’s also worth knowing I think, that even if you print out your e-ticket and take it with you still have to stand in queue to go through with all those buying their tickets at the door. We had  a false sense of security that we would get flagged through an express queue -no! so we were glad we’d gone early on in the day.

I’ll do a another post showing the house soon.

Here to talk roses! They’ve been brilliant this year until a few weeks back when we began this tropical weather we’re enjoying in the UK and a month in they’ve suffered from lack of water.

This week I’ve dedicated myself to trying to paint some before they’re completely passed it but they’ve wilted as fast as I can paint them.

A messy rose strewn desk is a lovely thing though.

So I’ve done what I can and I’m off to enjoy a g&t in the sun – happy weekend 🙂

On Saturday I had the pleasure to be back in Nottingham with the Spotted Dog Art Group.

They rose magnificently to the challenge of abstracting landscapes through colour and brushwork.


As you can see here from the landscape inspiration, use of colour and being able to see things differently were the keys to success.

And it didn’t matter what kind of landscape scene it was (above is industrial, below coastal) the artists successfully abstracted through colour changes and seeing in shapes.

Everyone kept their own artistic signature whilst all having the same input and ideas on how to start and develop their work into the non-representative and this is what I find endlessly fascinating and exciting about teaching and working alongside other artists.

I count myself lucky when work is such a pleasure – if I lived near Nottingham, I’d join in a heartbeat.

Until next year…

This year has been a brilliant one for my Hellebores which have quadrupled in size.

I’ve been wanting to paint them for some time but couldn’t bring myself to cut any when there were only one or two flowers – but this year is quite different.

I’ve been playing around painting onto darker grounds than usual and I quite like it. It really helps those whites to stand out and it adds a little drama. These were both acrylics on tissue paper; the latter bringing a lovely dappled background which shone through the paint still.

I love a new discovery!

                                                       Muscari © Claire Leggett

The last few weeks have been very busy with HB’s 50th birthday celebrations and I had lots of kiddie classes to teach over the Easter break. However Spring flowers wait for no-one so as soon as these bloomed I made sure to grab some time to paint them. I’m glad I did – it turned out alright and was good for sanity and soul!

Yesterday I had the absolute pleasure of running an Expressive Watercolours workshop for Birmingham Carers in partnership with Birmingham Museums and Art Gallery. 

A lovely group of ladies (it turned out, although that’s not a requirement!) enjoyed sometime playing with watercolour, salt, wax and gum resists.

I always love working with people and seeing the breath and individuality of the art each person has in them.

This group was a particular privilege to be with because of the respite it offered them from the caring work they do.

BMAG offer not only monthly session but tea and cake too – if you’re a carer living in Birmingham and want to access the service then I think here is a good starting point : forwardcarers.org.uk

 Protea_© Claire_Leggett

A little painting inspired by the beautiful South African Protea via my local Marks and Spencers!

Yesterday we had such luck with the weather shining down on the Mixed Media Collage Canvas workshop at Winterbourne House and Gardens.

The Old Tool Shed where the workshop was held, is always a vintage cutie in whatever weather but the gardens looked magnificent in the blazing sunshine.

We were able to go around the grounds and draw and then use these drawings as reference in the students painting.

This is Dawn hard at work and the Beehive piece she finished.

Lots of fun was had painting and layering the collage base.

It always amazes me the breadth of artistic vision people have to create something unique given that they all had the same input.

Many chose not to reference birds but had other good ideas for their pieces.

And everyone took home a ready to hang piece of art.

 (*Shauna, you’d gone before the photo was taken – sorry)

 

Angela, this one is just for you 🙂 Thanks for asking 😉

Some more snippets from the pages of my Fish Sketchbook (see previous post) showing bits of pattern exploration, a little painting, rust dying, block printing, collage, string printing, applique and free motion embroidery.

Copyright notice 2015

All images, text, and content on this site are the sole property of Claire Leggett and may not be used, copied or transmitted without the express consent of Claire Leggett.

If you wish to link to this site or to a post from this site, please ask first before doing so and then give appropriate credit for content.

Any other inquiries please email me at hello@claireleggett.co.uk

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I am absolutely delighted to share the news with you that I am Artist in Residence at the University of Birmingham Winterbourne House and Gardens until May 2020 🙋🏻‍♀️I feel very lucky and privileged to be able to spend the next 18 months walking the public and private paths painting and drawing what I see. 🖌I am trying to ease into the project without giving myself too many restraints on what I make of it (painting, patterns, textile work) there is abundant inspiration! 🌳🐝🌼🐞🌾🌺🍁🌵 I’ve made a dedicated instagram page for the project – I’d love you to come on over and follow along with me as this exciting chapter develops. I will be working on site regularly – so please come up to the studio above the bookshop or say hello if you spot me around the grounds.👩🏻‍🎨 Also wrote a blog blurb too if you’re interested (click on claire_leggett profile name for links) #artist #artistoninstagram#artistinresidence #winterbournegardens#winterbourne #winterbournehg#winterbournehouseandgarden #artista#artiste #artinspo #artistoninstagram#birminghamartist #birmingham#birminghamart #birminghamlife#universityofbirmingham#gardeninspiration #painter#dreamscometrue

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