You are currently browsing the category archive for the ‘inspirational artists’ category.

I wanted to share a little of this awesome exhibition we saw at the South African National Gallery.

It successfully aimed to raise questions about what is ‘fine art’ and what is ‘craft’ and is there a difference and also what roles gender play in how we think about these.

Quebeka Fine Art Bead Studio

The C18th brought about the prestige surrounding the Fine Arts by the creation of Academies for study and these typically excluded women.

Quebeka Fine Art Bead Studio

Craft practices continued to be connected to everyday living due to their necessity but with no status or artistic value attached to them.

Usha Seejarim Sequence City

Usha Seejarim Sequence City

Over time both art movements and the feminist movement questioned fine arts usefulness and the position of craft as a woman’s practice and so craft and fine art began its journey of meeting in the middle.

Hendrik Stroebel

Hendrik Stroebel

Hendrik Stroebel

The artists in this exhibition continue that journey of thought by showing their typically perceived ‘fine art’ thinking as social commentators but through the mediums of crafts which we usually write off as ‘domestic’.

Tamlin Blake Taking Time

Tamlin Blake’s work is a great example of this: she dyes old newspapers and then weaves them into tapestry’s which she says are the oldest form of storytelling, to get us thinking about the stories we read and their impact on us.

Tamlin Blake Taking Time

Pierre Fouche has drawn on the traditional crafts of  sailors knots, macrame and lace making to create this art piece.

Pierre Fouche

All in all it was a visual feast, and both inspiring and thought-provoking. Hope you enjoyed a little peak too.

Advertisements

When we stayed in Cape Town, South Africa we visited the The South African National Gallery where we discovered the exciting work of Lionel Davis.

Lionel is a self-taught artist having discovered his artistic creativity at the age of 41 through contact with a local community arts programme.

I think this exhibition was a retrospective of his life and work thus far.

It’s his experimentation with all kinds of media and the joy of his discoveries and makes his work appealing to me.

I don’t know about you but I often get stuck in my own groove of using certain techniques and mediums but it is refreshing to see a portfolio of work that plays with different approaches and methods.

It reminds me to keep trying new things.

But his work is not just attractive to the eye,  it plays a real part in channelling and expressing his social activism, his cultural views and in depicting life as he sees it in South Africa.

This was one of my favorite places that we visited in Budapest – the Hungarian National Gallery

It’s up in the Castle district and you can  pay to ride up in this cute Funicular.

It was very quiet and cool (in a not hot way!) and has a broad range of beautiful art from way back when.

I think because it was all new to my eyes – not ‘famous’ works of art that had been widely published –  I was able to really see the details and workmanship.

I took lots of detail photos, particularly of how artists represented pattern.

Canzi_ Grape Harvest

I took a zillion photos but these are some of my stand-outs – I didn’t take the name down of this one above but when I got home and looked at the close-up shots on my computer, I was blown away by the expressions on these characters faces.

The expressions captured are incredible.

I just loved the colours in this one below – but I probably said that about most of them.

Szonyi Funeral ion Zebegeny

Also – little known fact but after you have feasted on all the beautiful art over three floors, you can go up another and out onto the balcony for free! Budapest is all about climbing up to look back and get a good view and this was by far the least painful way to do it. Enjoy!

Jo Smith

These photos are from a recent exhibition by Prism on at the RBSA (which has sadly now ended) but I wanted to share them none-the-less.

Dorothy Tucker

Called ‘Another View’ it aimed to demonstrate just how broad Textiles can be and it delivered on that and some – it was both ingenious and thoughtful.

 

Claire Blackburn

Members of this Textile group are international but until now their exhibitions have been London-centric  – and it was so refreshing to see Textiles on at the RBSA and to see such a considered, well curated, quality exhibition.

Susie Vickery

The range of applications was very wide but I am always drawn to colour, pattern, stitch and print.

Prism felt

And the thought and development behind a lot of the pieces was very inspiring – lots of inspiration to be had.

Maria Boyle

MAC Birmingham also has two Textile exhibitions running atm so it’s a good time to be a proud Birmingham textile-lover!

Anita Bruce

We are just back from a week away in the Peak District and I had forgotten just how beautiful it was up there.

We did lots of walking as the weather was extremely kind to us and I even got to sit and sketch on a couple of days.

And we took in a lot of art when we visited Chatsworth house.

The wallpaper was AmAzInG!

There was a whole wall of Lucian Freud work.

And this Gainsborough – I didn’t notice until I looked back at the photograph that her expression is both quizzical and a bit sassy – both unusual for a woman in a portrait of that time.

And there were gorgeous Spring flowers to inspire everywhere.



And lots to eat and drink (!) and all that fresh air and lack of the usual responsibilities has re-charged my batteries.


A few weekends ago, HB and I had a little sojourn in Bristol and whilst there came across the Lubaina Himid exhibition showing at Spike Island.

Naming The Money is an installation of 100 life-sized wooden cutout figures representing Africans brought to Europe as servants.

My name is Ahmed
They call me Henry
I used to play the music of my people
Now I play to forget them
But I love the notes

Historically these slaves were given new names and roles and Himid attached their printed stories on the back of each figure.

My name is Zody
They call me Jenny
I used to grind herbs into powder
Now I blend fine tea for the ladies
But I am the best

I found this to be one of the most touching things – both sadness at their loss and humiliation but humbled by the positivity too.

My name is Essian
They call me Dan
I used to lead the army
Now I play for children
But I love their laughter

The fact that these were freestanding and you could walk among them was very effecting and their life-size-ness really made me connect with them as the real people they represented.

Himid was originally a set designer and wanted this exhibition to bring slaves out of the shadows and corners of traditional portrait painting and give them center stage.

My name is Emmi
They call me Jenny
I used to make potions and keep them in a jar
Now I help to make jam
They say it tastes good

And on a superficial note, I also enjoyed all the colours and patterning. Simply done but very moving.

My name is Akron
They call me Henry
I used to play at weddings
Now I play at funerals
But I have the memory

cl_fayence-_rooftops

Half term has been a welcome break in the normal in and out of running classes and has afforded me a block of time to paint. It’s been a while – on day one I had zero concentration for it and had to really plug away but it always falls into place if I keep at it.

book_inspo

And the slower mornings have meant a cup to tea in bed accompanied by something from my enormous post-Christmas reading pile. Inspiration abounds now.

hockney4

We made a family visit this weekend and while ‘Up North’ made a trip out to Salts Mill.

saltsmill1

The mill is part of the UNESCO World Heritage Site of Saltaire and as such exhibits lots of Hockney.

saltsmill2

These beautiful paintings were part of the history of the Mill in the People and Process exhibition.

hockney2

These are some of Hockney’s iPad drawings which make up The arrival of Spring exhibition.

hockney1

They are studies done in the same location, Woldgate, as the seasons passed.

hockney_textures_grid1

The colouring, the textures and mark-making were so inspiring.

hockney3
And the book(s) shop were worth the trip too – highly recommended day out 😉

At the weekend I crossed off a Bucket List wish when we visited Crosby Beach in Liverpool.

crosby-beach3

This is the home of Antony Gormley’s Another Place permanent exhibition. Almost all Gormley’s work focusses on the human figure and its relationship to spaces.

crosby-beach1

Here there are 100 cast iron figures set along 3K of beach all looking out to sea, or as the tide comes in, in it too, all in contemplation – Gormley says of it himself ” It is…just the industrially reproduced body of a middle-aged man trying to remain standing and trying to breathe, facing a horizon busy with ships moving materials and manufactured things around the planet.”

crosby-beach4

It was beautiful day and the sky was enormous with spectacular clouds but there was also something spellbinding about inhabiting the beach with these silent, still observers. You couldn’t help looking where they were looking and standing still next to them. Such a simple idea but so connecting.

crosby-beach6

The only one who didn’t do any of that was our dog Lottie, who pranced about joyously in the water – I love this picture of her mid-prance!

fragonard-2016-9

We split our recent holiday in France, into two destinations so that we could cover more of the south coast in the time we were there.

fragonard-2016-10

I had heard of Grasse being the perfume capital of France (and read that book years ago!)

fragonard-2016-1

And I also knew that it would be cheaper than any where on the coastline to stay and that it was the home of Fragonard perfumes.

fragonard-2016-2

And I am a big fan of Fragonard packaging so all in all it was the perfect destination.

fragonard-2016-3

I love the styles of illustration and painterly florals that they use.

fragonard-2016-4

And spent a happy time snapping away at all the beautiful displays.

fragonard-2016-5

I’ve got to tell you I saw an assistant throw a beautiful box in the bin, and if I hadn’t had to navigate the convo in French I would have asked for it!

fragonard-2016-8

Being the home of Fragonard, the town of Grasse had several Fragonard shops in it all with beautiful displays.


fragonard-2016-7

So I have come home with oodles of inspiration…oh a bit of perfume too 😉

fragonard-2016-11

Copyright notice 2015

All images, text, and content on this site are the sole property of Claire Leggett and may not be used, copied or transmitted without the express consent of Claire Leggett.

If you wish to link to this site or to a post from this site, please ask first before doing so and then give appropriate credit for content.

Any other inquiries please email me at hello@claireleggett.co.uk

Instagram

💪🏻starting the week with a fully spiffed-up website! New  pattern pages, updated workshops and new photos of me looking like I do now...older! 👓👵🏻#websitedesign @ie_design #website #iamanartist #studiolife #surfacepattern #beautifulwebsites #surfacepatterndesign #painting #colour #doesntlooklikealotofworkbutittookmeages Wanted to hibernate this weekend but don’t think I can #happyweekend #art #autumnvibes #gouache #animalart #creaturecomfort #painting #pattern #autumnvibes 🍃🍂🌿#dontlikethecold #autumnleaves #autumn #watercolor #gouache #gouachepainting #art #colour 💪🏻 I finished #handprinting a 9 colour #screenprinted tablecloth #justbecause 🙋🏻#printed #printing #screenprinting #printedtextiles #printedtextiledesign #surfacepattern #surfacepatterndesign #colour #colourful #justdoit

Link with love

LINKwithlove

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 279 other followers

Categories

Archives